Dance

At 85, the Choreographer Lucinda Childs Still Has a Ful...

The choreographer has a busy spring: early works at the Guggenheim’s swirling ro...

Taylor Stanley Makes Their Presence Known in NYCB’s ‘Sl...

Taylor Stanley debuts as Carabosse, the glamorous, evil fairy in “The Sleeping B...

Broadway’s Great Imitators, Now on TikTok

TikTok is the new home for musical theater fans who want to put themselves in th...

Like Fireworks: When Masters of Tap and Kathak Dance Meet

American tap greats collaborating with kathak dancers discover how to communicat...

At City Ballet, Alexei Ratmansky’s Morality Tale Is Wra...

“The Naked King,” based on “The Emperor’s New Clothes,” debuts Thursday. “I’ve b...

‘Bridgerton’ Is Built on Romance. But Its Backbone Is D...

“There’s so much in the pomp and circumstance and the rules of the world that co...

Alvin Ailey Company to Get $10 Million Endowment to Fun...

The gift from Daria Wallach, a retired leader in the financial services industry...

Review: Alexei Ratmansky, Ballet’s King of Comedy, Figh...

At New York City Ballet, Alexei Ratmansky exposes the current moment with a poli...

The Utah High School Drill Teams Who Dance With Intense...

Two traditions, military dance and a game resembling Simon Says, make drill team...

Review: In Justin Peck’s New Ballet, Beethoven Gets Sporty

Peck’s “The Wind-Up,” set to the first movement of the “Eroica” symphony, doesn’...

The Royal Winnipeg Ballet, on the (Bumpy) Road to Recon...

The Indigenous choreographer Cameron Fraser-Monroe is taking his ballet on tour,...

At New York Performance Festivals, Finding the Dance in...

January is not a dry month for performance in New York, and this season, there w...

How a Shoe Invented by a Dancer Might Be a Game Changer

Ballet evolves slowly, and that includes footwear. But a new shoe with sneaker t...

Martha Graham Dance Company Won’t Celebrate Centennial ...

The oldest dance troupe in the United States decided not to perform at the Washi...

In ‘Sons of Echo’ Male Dancers March to Female Choreogr...

“Sons of Echo,” in which standout male dancers perform work by women, proves tha...

Dance Moves From the Street, City Edition

Dancers from Detroit, Chicago and Philadelphia demonstrate the fundamentals of t...

Georgian National Ballet Brings Country’s Folk Dance to...

The Georgian National Ballet Sukhishvili brings its blazing version of the count...

In ‘Ann Lee,’ Dance Is the Fuel for a Godly 18th-Centur...

“The Testament of Ann Lee,” starring Amanda Seyfried, tells the story of the Sha...

‘Try/Step/Trip’ Is a Story of Hip-Hop Rehabilitation, T...

Dahlak Brathwaite’s “Try/Step/Trip,” part of the Under the Radar festival, uses ...

Review: ‘The Seasons’ Jumbles Warnings About Climate Cr...

An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivale...

The Rockettes, at 100, Need a Kick in the Right Direction

This year, “Christmas Spectacular Starring the Radio City Rockettes” pays homage...

Hans van Manen, Celebrated Dutch Choreographer, Is Dead...

He rose from poverty to become one of the Netherlands’ most revered dance makers...

He Smeared Dog Feces on a Critic. Now, He’s Back in the...

Two years after the assault, Marco Goecke is staging a nontraditional “Nutcracke...

Out From Russia’s Shadow: Lithuania’s National Ballet a...

The national company has a new leader, Jurgita Dronina, and a desire to raise it...

Fall for Modern Dance With This Masterpiece

Joyful, melancholy, heroic: Paul Taylor’s “Esplanade” celebrates its 50th annive...

In a Reimagined ‘Our Town,’ Dance and Poetry Run for th...

In “My Town,” Jack Ferver’s one-person take on the Wilder classic with hints of ...

Oprah, Gayle King and More Attend Misty Copeland’s Fina...

The trailblazing ballerina returned to the stage after five years for one final ...

Ballet Dancers Are Starting to Prioritize Their Mental ...

Dancers are famous for buckling down and getting through it. But a new openness ...

Review: To Cure the Sick, ‘Le Grand Bal’ Prescribes a Rave

The French troupe Compagnie Dyptik is making its United States debut with a show...

‘Larsen C’ Review: Grand, Dark and Inhumanly Cold

At the new Powerhouse: International festival in Brooklyn, Christos Papadopoulos...

A Tyrant for Our Times: Reviving José Limón’s ‘The Empe...

Limón’s dance, based on the play by Eugene O’Neill, has long been something of a...

Review: Paris Opera Ballet Unrolls a Lackluster ‘Red Ca...

The esteemed company presents a full-length contemporary work by Hofesh Shechter...

Paris Opera Ballet Brings Hofesh Shechter Work to Ameri...

The company will perform the contemporary choreographer Hofesh Shechter’s “Red C...

Powerhouse: International Festival Opens Its Dance Floo...

Mette Ingvartsen’s “Skatepark” will inaugurate the new Powerhouse: International...

Review: At Fall for Dance, War, Persistence and a Slow ...

The annual festival, popular for its take-a-chance-priced tickets, opened with a...

For Many Cuban Ballet Dancers, Forging a Path Forward M...

As the country’s economy falters, members of the storied Cuban National Ballet h...

Dance Performances and Festivals to See This Fall

Season standouts include a new festival at the Powerhouse in Brooklyn, a Ballet ...

Trajal Harrell on Staging a Runway Show at the Park Ave...

The choreographer takes over the Park Avenue Armory with “Monkey Off My Back or ...

At Japan Society, the Unsettling Darkness and Surprisin...

At Japan Society, Emergences celebrates Mishima’s centennial. “One of the things...

At the Rockaway Beach Sessions, a New York City Dance

The choreographer Kim Brandt brings “Wayward,” an expansive new dance, to Rockaw...

Tiler Peck Knows Jerome Robbins, and Knows What She Wants

The New York City Ballet principal brings together dancers from four companies t...

The Moves That Make ‘Chicago’ and ‘A Chorus Line’ So Sp...

To celebrate the shows’ golden anniversaries, the Broadway star Robyn Hurder dem...

Gillian Murphy, a Ballerina With Joy and Aplomb, Steps ...

After 29 years, the American Ballet Theater principal bids farewell with “Swan L...

At Jacob’s Pillow, a High-Tech Theater Rises From the A...

The Doris Duke Theater, which burned down in 2020, has been rebuilt as a hub for...

‘Pastoral’ Review: Sampling Beethoven at Bard

The latest work by the choreographer Pam Tanowitz combines music and design in f...

In Ashton’s ‘Sylvia,’ Ballerinas Get to Be Like Wonder ...

Hunting bows in hand, a new generation of dancers takes on the multifaceted role...

Amie Donald Has the Moves as the Killer Robot in ‘M3gan...

The sunny 15-year-old dancer-turned-actress is about as far as you can get from ...

Does It Matter How a Cello Is Held? It’s a Centuries-Ol...

Historical response to the cello endpin, which anchors the instrument to the flo...

Lexee Smith, Dancer and Addison Rae’s Creative Director...

Lexee Smith, who works closely with Addison Rae, is an outlier: a commercial dan...

Misty Copeland Changed Ballet. Now She’s Ready to Move On.

The American Ballet Theater’s first Black female principal dancer on everything ...