Dance

In Ashton’s ‘Sylvia,’ Ballerinas Get to Be Like Wonder ...

Hunting bows in hand, a new generation of dancers takes on the multifaceted role...

Amie Donald Has the Moves as the Killer Robot in ‘M3gan...

The sunny 15-year-old dancer-turned-actress is about as far as you can get from ...

Does It Matter How a Cello Is Held? It’s a Centuries-Ol...

Historical response to the cello endpin, which anchors the instrument to the flo...

Lexee Smith, Dancer and Addison Rae’s Creative Director...

Lexee Smith, who works closely with Addison Rae, is an outlier: a commercial dan...

Misty Copeland Changed Ballet. Now She’s Ready to Move On.

The American Ballet Theater’s first Black female principal dancer on everything ...

Misty Copeland Broke a Ballet Barrier and Became a Star

Copeland, the first Black female principal at American Ballet Theater, has annou...

Raw and Untamed, a Paul Taylor Dance Gets a Second Chance

The Taylor company revives “Churchyard,” a forgotten gem from 1969 that shifts f...

‘The Holy Blues’ Review: Finding the Spiritual in the S...

Jawole Willa Jo Zollar’s new work for Alvin Ailey American Dance Theater at Broo...