Dance

Paris Opera Ballet Brings Hofesh Shechter Work to Ameri...

The company will perform the contemporary choreographer Hofesh Shechter’s “Red C...

Powerhouse: International Festival Opens Its Dance Floo...

Mette Ingvartsen’s “Skatepark” will inaugurate the new Powerhouse: International...

Review: At Fall for Dance, War, Persistence and a Slow ...

The annual festival, popular for its take-a-chance-priced tickets, opened with a...

For Many Cuban Ballet Dancers, Forging a Path Forward M...

As the country’s economy falters, members of the storied Cuban National Ballet h...

Dance Performances and Festivals to See This Fall

Season standouts include a new festival at the Powerhouse in Brooklyn, a Ballet ...

Trajal Harrell on Staging a Runway Show at the Park Ave...

The choreographer takes over the Park Avenue Armory with “Monkey Off My Back or ...

At Japan Society, the Unsettling Darkness and Surprisin...

At Japan Society, Emergences celebrates Mishima’s centennial. “One of the things...

At the Rockaway Beach Sessions, a New York City Dance

The choreographer Kim Brandt brings “Wayward,” an expansive new dance, to Rockaw...

Tiler Peck Knows Jerome Robbins, and Knows What She Wants

The New York City Ballet principal brings together dancers from four companies t...

The Moves That Make ‘Chicago’ and ‘A Chorus Line’ So Sp...

To celebrate the shows’ golden anniversaries, the Broadway star Robyn Hurder dem...

Gillian Murphy, a Ballerina With Joy and Aplomb, Steps ...

After 29 years, the American Ballet Theater principal bids farewell with “Swan L...

At Jacob’s Pillow, a High-Tech Theater Rises From the A...

The Doris Duke Theater, which burned down in 2020, has been rebuilt as a hub for...

‘Pastoral’ Review: Sampling Beethoven at Bard

The latest work by the choreographer Pam Tanowitz combines music and design in f...

In Ashton’s ‘Sylvia,’ Ballerinas Get to Be Like Wonder ...

Hunting bows in hand, a new generation of dancers takes on the multifaceted role...

Amie Donald Has the Moves as the Killer Robot in ‘M3gan...

The sunny 15-year-old dancer-turned-actress is about as far as you can get from ...

Does It Matter How a Cello Is Held? It’s a Centuries-Ol...

Historical response to the cello endpin, which anchors the instrument to the flo...

Lexee Smith, Dancer and Addison Rae’s Creative Director...

Lexee Smith, who works closely with Addison Rae, is an outlier: a commercial dan...

Misty Copeland Changed Ballet. Now She’s Ready to Move On.

The American Ballet Theater’s first Black female principal dancer on everything ...

Misty Copeland Broke a Ballet Barrier and Became a Star

Copeland, the first Black female principal at American Ballet Theater, has annou...

‘The Holy Blues’ Review: Finding the Spiritual in the S...

Jawole Willa Jo Zollar’s new work for Alvin Ailey American Dance Theater at Broo...

Raw and Untamed, a Paul Taylor Dance Gets a Second Chance

The Taylor company revives “Churchyard,” a forgotten gem from 1969 that shifts f...